by stagemaster
August 18, 2011 in Local Music by stagemaster
Product Description
Tapes include: Ind=troduction and Basics of Voice; Vocalizing with Bill Warren; Singing with Tapes; Stage Presentation; Style and Interpretation of Songs; Booking; Agents and Promoters; So You Want to Record an Album?… More >>
by stagemaster
August 1, 2010 in Local Music by stagemaster
Have you ever wondered how to produce your own beats? Would you like to learn all their tricks and maybe someday make a career out of it? Maybe it’s all about jamming with the mad crazy beats all day! Well, you may not realize it, but you just got one step closer to your dream!
First things first – you gotta decide what kind of music you want to produce, and then you need to take the time to check out all the great software that’s available out there.
Some would have you believe that producing music is tough. They’re lying to you – straight out! It’s actually easier than you could possibly imagine with all this new technology. PLUS – a whole lot of FUN! Back in the day, you’d have to spend serious coin to rent out a studio, and hire a producer to do all the work of laying down the tracks for you.
Once you decide to get started, you have a couple of things you need to figure out. You need to figure out the software you are going to use, but first you need to decide what type of music you are going to make. There is one kind of software that I like to use to lay down multiple tracks of different kinds of instruments at the same time. This is a Multi-Track Sequencer – it’s what the professional music producers use. Most of these will allow at least 16 tracks, many have more – you can put many different instruments in these tracks. The way it works – lay down a good base beat track, then build on it – adding many kinds of instruments. Keep putting different instruments in each layer, then stack more layers on top of them, layer after layer. When you feel like you have a keeper, you’ll want to be sure the software you are using will let you lay down a Master (Recording). Your firends and family will want to hear what you have made – you may even want to share it with a Record Label!
Also, you will need to have the support structure in place that can help you when you get stuck. You will want plenty of video tutorials, and FAQs in place that you can turn to to see how that special trick was done, or maybe just answer some quick questions. You wouldn’t want to have a program that didn’t off this type of support when you are first learning. This is the best way to learn – stress free, allowing you to focus on making beats!
If you want to become a master beat making music producer, you will need to keep practicing! The more time you spend getting good at all the great features of your new software, the easier it will be to effortlessly produce all the music you want. Producing lots of music is the best way to become the best at producing music.
Having control of all your own music production is a great feeling. If you’re only a beginner, you will understand this once you get started producing music. To find music production software that has all these features, and will give you the creative control I just mentioned could take a long while to find.
Sonic Procucer is the best way to make your own beats online. You can lay down up to 16 tracks, record off to MP3 audio, andd has a full line of instrumeent sounds to use in your music production. Read my full review of the best way to make your own music online, Sonic Producer. Click the link below for the ffull review of Sonic Producer.
Read my full review of the best way to make your own music online, Sonic Producer.
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The Learn Music Experience is a resouce of articles about all types of music lessons and helpful reviews about different Lesson Products that are available today
by stagemaster
March 11, 2010 in Local Music by stagemaster
A programmable music synthesizer has a keyboard which also generates an expression signal representing the pressure on the keyboard and utilizes the change in an infrared path length for producing this expression signal.
Synthesizers work by manipulating electrical signals which appear as sound when they are used to drive audio amplifiers. These tones are generated by electrical circuits which may work by manipulating a signal through a series of oscillators and filters in an analog circuits in analog synthesizers. They may also perform mathematical manipulation of signals using a microprocessor and digital signal processing in digital synthesizers, or by a combination of both methods.
Synthesized sounds may sound dramatically different than recordings of natural sounds, though sampling synthesizers significantly blur this distinction.
Sound basics
All sounds are comprised of some combination of pure sine waves. Generally, a single sound will include a fundamental frequency, and any number of overtones. The frequencies of these overtones are either integer multiples of the fundamental frequency, or integer fractions thereof subharmonics.
When natural tonal instruments sounds are analyzed in the frequency domain, the spectra of their sounds will exhibit amplitude spikes at each of the fundamental tone harmonics. Some harmonics may have higher amplitudes than others. The specific set of harmonic versus amplitude pairs is known as a sound’s harmonic content.
Well known Brands of Programmable synthesizers
A vast range of programmable synthesizers are available in the market. All the famous brands have come out with their latest synthesizers. In this article we will be discussing three of the most famous and widely used programmable synthesizers.
S08 Programmable Synthesizer from Yamaha – The S08 features an 88-key balanced hammer design with Initial Touch, plus full 64-note polyphony. With its sleek, lightweight portable design, palette of high quality sounds and advanced storage features, the S08 makes an ideal primary or additional instrument for the songwriter, arranger, live performance musician, studio musician, and amateur alike.
Users can create their own sounds and store them in any of 128 user-voice memory locations. Onboard effects include chorus, reverb and variations. Panel switches, a large LCD display and controllers that include pitch bend, a mod wheel and a numeric keypad, provide full control and quick access to all functions.
Roland XP-30 – The XP30 uses sound sets from the popular JV-1080 and JV-2080 modules, plus tons of sound patches from the Session, Orchestral, and Techno Collection expansion boards. Having two slots for SRJV 80 expansion boards, the XP-30 has 61 velocity sensitive keys with after touch.
It also has built-in reverb, chorus, and set of forty effects, four onboard sliders for real time control and editing and patch finder and phrase preview functions.
Korg RADIAS – The Korg RADIAS keyboard is a 49-key, 24-voice polyphonic programmable modeling synthesizer and 16-band vocoder instrument, based on the proprietary MMT modeling technology sound engine. The synthesizer offers a variety of synthesis algorithms together with multiple effects, advanced comb filter and wave shaping features, modulation sequencing, and formant-motion vocoding.
The RADIAS offers an innovative, custom-configurable design with a control module that can be used independently or teamed with the unique dedicated keyboard, creating an integrated performance instrument offering classic, current and futuristic sounds accessible from a familiar, old-school, knobs-and-buttons programming interface.
Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, bass guitar gears , drums, drum sets, drum kits, and programmable synthesizers, keyboards.
