Introduction to Guitar Tone & Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals & Processors

March 18, 2011 in Local Music by stagemaster

  • 64 pagesSize: 12″ x 9″Composer: David M. BrewsterISBN: 634060465

Product Description
An essential manual for getting the best sounds from electric guitars, amplifiers, effect pedals and digital processors! This book/CD pack features easy-to-follow instructions, with more than 75 photos, to teach the basics of guitar tones and effects. The accompanying CD provides audio examples. Readers will learn: anatomy of the electric guitar; controlling the electric guitar; getting a good clean tone; overdrive, distortion and fuzz; using equalizers; compressors… More >>

Introduction to Guitar Tone & Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals & Processors

Introduction to Guitar Tone and Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals and Processors

October 24, 2010 in Local Music by stagemaster

  • 64 pages
  • Size: 12″ x 9″
  • Composer: David M. Brewster
  • ISBN: 634060465

Product Description
An essential manual for getting the best sounds from electric guitars, amplifiers, effect pedals and digital processors! This book/CD pack features easy-to-follow instructions, with more than 75 photos, to teach the basics of guitar tones and effects. The accompanying CD provides audio examples. Readers will learn: anatomy of the electric guitar; controlling the electric guitar; getting a good clean tone; overdrive, distortion and fuzz; using equalizers; compressors… More >>

Introduction to Guitar Tone and Effects: A Manual for Getting the Sounds from Electric Guitars, Amplifiers, Effects Pedals and Processors

Getting Into Sound And Music Production – Making Your Own Studio At Home

October 20, 2010 in Local Music by stagemaster

Are you planning to set up a music studio at home? Well, it is not as difficult to pull off as you might think. True, the number of equipments found scattered around the studio floor of a professional can look rather intimidating to a beginner. However, you will not need that much equipment to start recording your own music tracks.

So, what is needed to set up a beginner’s music studio?

First things first, make a checklist from the items given below. These are the equipments that you must have in your studio if you plan to do digital audio recording of any kind. It may be a tad expensive, but it will be very difficult to pull off a good work without these basic components. Here are the equipments that you simply cannot work without:

1. Microphones: Well, of course these are amongst the most important equipments in your starter setup. After all, how are you supposed to sing the vocals without a microphone? When you purchase one, make sure that it is compatible with digital audio equipment like amplifiers, and sound mixers. Besides, make sure what type of microphone you will need. If you are going to use acoustic guitars and similar high frequency music equipment, invest in a condenser microphone. Otherwise, a dynamic microphone will be cheaper and get you by.

2. Pre-amplifiers: These will help in amplifying the sound of the vocalist’s voice, automatically suppressing some of the background noises in the process. These are your second most important equipments after the microphones. High quality pre-amps can be real wallet-burners though, so keep your budget in mind when shopping for one.

3. Sound cards: You must have one of these if you wish to record music digitally. Go for a low priced one if you are a genius at using audio mixing software. However, if you are not that sure about using audio manipulating software, then it is best to go for the expensive varieties.

4. Computer: Well, of course, you will need a computer with sound cards and audio editing software installed, in order to digitally master the audio tracks you create. Besides, a computer makes the task of remixing a song a snap. However, if you do not wish to edit your own tracks in any way, then simply investing in a hard disk recorder will get the job done, for the time being. Remember though, you will have to live with the noises and disturbances in the background of your audio tracks.

5. Monitor speakers: No, these are not related to monitors that allow you to see what is happening in a computer. Monitor speakers allow you to listen to audio streams and spot discrepancies easily. Some experienced sound mixing professionals claim that they can get the job done with headphones, but it is more difficult to pull off without really good experience in the field.

6. Room acoustics: This is perhaps the most neglected part of an audio recording setup, even by some professionals. However, spending time and money over designing the inside structure of a proper studio is a worthwhile investment. Try not to skimp on this if you wish to do some serious audio recording in future.

These are the bare bone components of a music studio. A good home studio is a genuine asset for any budding musician. Build yours today, and start creating magic using your talent and skills.

Read more about lydproduksjon and musikkproduksjon at Noroff.no

Still obsessed with getting into the music business? Here’s how you get started

August 17, 2010 in Local Music by stagemaster

Fame in the music business is a topic that gets enough coverage due to the plethora of fame-based TV shows (especially reality TV lately) and the eternal allure of the music industry in general. It is probably the single most attractive dream career for most people. But (predictable) there is a problem. It is HARD. Often it seems near-impossible to get a look-in fame wise and almost as difficult just to get any job music-related because of the avalanche of competition that is the demand for those jobs versus supply.

I write this article since I often get asked about opportunities for playing in bands, performing at theatres/with orchestras or just getting a job in the sector. The underlying principle I find behind all this is simple – the COMMITMENT and DETERMINATION (in that order) of the individual to succeed. This will do more for somebody trying to get into the business than talent or luck alone. Why? Because: A – there as many people realise, there are many talented people out there wanting to work in the music industry and: B – luck is unrealiable, something one hopes and waits for.Commitment on the other hand means you do whatever it takes, no matter what. If for example you are a pianist and you know you need to practice every day, even if you have no upcoming audition or concert then do you practice, no excuses. Determination, if it were just the sole attribute you had, would mean you’re willing to persist but that you let yourself ‘off the hook’ when it comes to the importance of everyday practice. You might rationalise why today is not such a good day to practice and then focus on other things, whilst still telling yourself how determined you are to succeed. 

I say this because when I was younger, I wanted to get a job at a well-known record company (who didn’t?) as a producer/songwriter and was determined as possible to succeed. I read books on fame, composition, music theory made a mixtape AND CD along with a CV which I sent off to them. None this worked. I was determined, but crucially, was not committed long-term, to learning everything I knew about music production, songwriting and making connections in the industry. I thought all that, especially networking, was too much hard work just to get a job, and being a graduate at the time, rationalised why I had to focus my energies elsewhere. Therefore that early determination I had tailed off along with any commitment I might have made to get a job at a record company.

When you combine commitment and determination with talent however, then you have something potent that will drive you. Now let’s look at the ways in which you can help your chances of working in the music business:

Know what you want and be passionate about it. This obvious point would scarcely need including if it weren’t for the number of people I encounter who tell me they want to be a “multiplatinum selling producer”, singer, dj or whatever. Each time I hear this ask the person “and do you have a great interest in this area or know anything about it? Their answers always surprise me, ranging from “er, not really” to “I though about it and the money would be so cool!” It’s enough to say, don’t fall into this type of thinking. Love what you do and everything else will follow. This is the fundamental truth about success in all areas of life.
Get noticed. By this, I mean start playing/performing your work in front of others, even if it’s to the cat. Play in front of the family/friends and ask for feedback. Do the same outside. Seek any avenue, any venue and get playing! Many famous musicians started by simply playing wherever anyone would listen and so this is a reliable path to go down. Exposure to these situations will get you used to performing in front of an audience and will quickly tell you whether you have it in you to become an entertainer, for that is the difference between being just a musician who performs in front of others and someone who can captivate and ‘wow’ the audience. A few ways you can get started on this are:
-          Organising your own concerts/gigs
-          Offering to play for others at events/functions/auditions
-          Helping out with your local school or church’s music activities
-          Open mic sessions at pubs/bars and other venues
-          Busking
Learn everything there is to know about your instrument/speciality. I mentioned earlier about wanting to work at a record company as a music producer and songwriter. The things I did do (for a while at least), is: study music theory and sound recording read about songwriting sound recording, production, composition and Buy some music production equipment (keyboard, sound modules, samplers, synthesisers, drum machines etc) and read their manuals as well as go onto any website forums, asking technical questions on areas I did not understand.
Meet up with friends and others who are already doing what you want to do. I knew a guy from church who had a career as a session musician, touring with some big names and who also was able to use sound recording equipment as he also produced jingles and other music for different clients. I arranged to meet him one evening at his place and learn everything I needed to. I actually went to his place before to get my mixtape (which I planned to send to the record company) critiqued but on this particular night, I wanted to learn about production. From that night, I learned more from jut sitting and observing him in action with all his equipment than I could have learned from all the book reading.
Learn to market yourself and network. You are the only one that’s going make this work so it pays to find every channel to promote yourself and form connections. Even if you’re still at school, you can join a music group/band or simply get together with someone you know who plays in a band and either form something together or pick their brain regarding what they are doing to get noticed. Find the most successful people and learn how to get connected in the industry based on their past experience. Also, you must be able to use marketing channels whether they are simple flyers, noticeboards at schools/shops, cards in newsagents, to internet marketing using social media like Youtube, facebook, Myspace and Twitter.

Another area that isn’t used much, but which can prove useful is print media, in particular, newspapers. I mention this because I have experience in this area. Years ago, when I was 14, my parents rang the local paper in North London suggesting a story in one of their ‘talented individuals’ feature. The story was that I was one of the youngest people to take and pass my grade 8 in piano exam, competed in local music competitions and gone on to perform in public with more accomplished musicians at nearby venues, one being Millfield House in North London. To my (and secretly, my parent’s) surprise, the paper were interested and sent round a reporter and his photographer to interview me (or so I thought) . After the Easter holiday, when I returned to school, my picture and the story was plastered on the walls near the door of my classroom and I got a real teasing from friends as there were quotes in the feature which I clearly hadn’t said and which sounded out of character e,g, “I don’t like football much but prefer to spend all my spare time playing piano for relaxation!”)

Lastly, commit to excellence. This is the only standard that will do. Passion, determination, knowledge are fine, but unless you determine that you want to be the very best at whatever you do, you’ll have little to no chance of catching an A&R /agent/promoter’s attention or simply getting that top job at whichever company you’ve dreamed about. The competion will just be too fierce. Don’t do what many on reality TV shows do and quit the job, just keep working diligently on perfecting your talents and making yourself valuable for whoever you wish to work for. Good luck

Ugo Onwutalu is a musician and piano teacher, also playing the guitar and organ. He is

Five Essentials For Getting Your Big Break In Music

July 27, 2010 in Local Music by stagemaster

Has music always been your passion? Do you find no greater joy than performing for a live audience? Are you looking to make your passion become a reality? If you can answer yes to all of these questions, then you should seriously think about working toward your passion at all costs. There are ways you can do this. Even ways you can go about getting your big break in music. But first, you have to be smart. Plan for the big time by knowing the essentials. Know the absolute musts before you get started, and you’re halfway to reaching your dream. And these essentials are:

Hone your skills locally: Music distribution and single song distribution will only take you so far. You must play off an audience to see what works and what doesn’t. This can be a scary step in the beginning, but it gets easier the longer that you play. And the adrenaline makes any case of stage fright completely worth it.

Work every day on the creative side: You have to show the right amount of business acumen to make a career in the music industry. You cannot simply create and leave it up to your music distribution service or manager to turn you into a superstar. You have to put yourself out there. No getting around it. Still, it can become a chore really fast if you are not constantly revisiting the creative side. Keep your skills sharp by returning to what you love every day. Even though it may count as work, it will certainly not feel like it. And if it does, that can be a good gage for whether or not you belong in the industry.

Be confident and realistic: Marketing your music to major record labels cannot come, realistically, until you have taken the steps needed to start your career. Once you are ready, be confident and realistic about where your efforts will take you. If you’ve built your music into something, you will have the platform necessary to break in. When this occurs, network with people inside the industry. It doesn’t matter how small. Everyone is connected. Everyone is always looking for the next big thing. Be friendly and open to anyone you can within the industry. Let them know who you are and what you do. Taking it one step further, give them examples by pointing them to your audience. Turn them on to demos and quality archived performances. Achieve this, and your dreams will fall into place.

Music distribution or single song distribution is essential to future success, but you’re not going to get in with the big boys until you’ve become as comfortable with performing and publicity as you are with your music.

Billy Rock is the leading provider of music distribution services. Get your music heard with single song distribution on iTunes, AmazonMP3 and many more.

Guitar Amplifier Handbook – Understanding Tube Amplifiers and Getting Great Sounds

May 11, 2010 in Local Music by stagemaster

  • ISBN13: 9780879308636
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Product Description
A guitar amp is as responsible for the actual sound of an electric guitar as the guitar itself. The Guitar Amp Handbook takes players — whether novice, experienced amateur, or professional — inside the amplifier to help them better understand the magic of that mysterious, often-neglected box that pumps out all the tone. This book guides guitarists in selecting the best amplifier for their style of music, and helps them set up that amp to sound its best, maintain… More >>

Guitar Amplifier Handbook – Understanding Tube Amplifiers and Getting Great Sounds