Chord-Scale Theory and Linear Harmony for Guitar: Creative Tools for Improvisation and Composition in Contemporary Music

May 6, 2011 in Local Music by stagemaster

Product Description
Chord-Scale Theory and Linear Harmony for Guitar: Creative Tools for Improvisation and Composition in Contemporary Music is a guide to modern music theory as it relates directly to the guitar fretboard. It covers basic harmony as well as the complex harmonies used in jazz in a friendly easy-to-follow format. It contains examples in standard notation, guitar TAB, fretboard diagrams, and charts. It is comb-bound with a clear plastic cover and conveniently sits open on… More >>

Chord-Scale Theory and Linear Harmony for Guitar: Creative Tools for Improvisation and Composition in Contemporary Music

Creative Guitar 1: Cutting Edge Tech

March 8, 2011 in Local Music by stagemaster

  • ISBN13: 9781860744624
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Product Description
The aim of Creative Guitar 1 is to help any rock guitarist who feels stuck in a rut. The book focuses on refining playing techniques, explaining the nuts and bolts of theory in an accessible manner, as well as how to practice efficiently, and even demonstrates lots of new licks. This book promotes a self-sufficient approach to learning that will give guitarists new artistic directions in every aspect of their playing. The accompanying CD features detailed examples o… More >>

Creative Guitar 1: Cutting Edge Tech

Creative Sequencing Techniques For Music Production: A Practical Guide For Logic

July 12, 2010 in Local Music by stagemaster

Creative Sequencing Techniques For Music Production: A Practical Guide For Logic

Get Creative To Find Music Production Jobs

June 22, 2010 in Local Music by stagemaster

So you’ve got that degree in Music Production – but after months of scouring the want ads, you’re beginning to wonder if you shouldn’t have backed it up with a minor in Education. Don’t despair yet – you’re a creative person or you wouldn’t have chosen this business to begin with. The secret to finding and getting music production jobs is to use some of that creativity in your job search.

There are three things to keep in mind when doing a creative job search for music production jobs:

1. As many as 90% of the jobs in any media occupation never get advertised through regular channels. The music production companies get enough over the transom resumes that they can pick and choose without advertising.

2. In many music production jobs, networking will be a key part of your job description. If you can’t network to get a job, you’ll have a hard time convincing a hiring manager that you can do the job.

3. Sometimes the best way to get your foot in the door is to intern for a music production company. According to a recent survey conducted by CareerExposure, 94% of employers have offered a full time job to interns when their internship was finished.

Keeping those three things in mind, you can put together a creative music productions job search that will land you the position that you want using the following blueprint.

1. Do your homework. You should know the music production jobs that you’re going after inside out. Read up on the web, visit the library and bookstores and find out all that you can.

2. Start applying your networking skills. Make a list of people you know who may be able to help you. Don’t forget to include people like your ex-teachers, business acquaintances and people you know through other people. Did you do sound levels for a band? Have you interned for a publisher? Have you got a chance to attend a media symposium? Those are all important contacts for you when you’re trying to network your way into music production jobs.

Boldness is an important skill to cultivate here. Ask for letters of introduction, or for permission to use someone’s name when you contact another. It’s amazing how quickly you’ll get results with a simple statement like, “Hi, Mr. Producer, my name is Interested Party. My professor, Ms. In-The-Know suggested that I call you when I told her that I’m interested in an internship with your company. Do you have a few moments to talk with me about that now, or is there a better time to call you?”

3. All right, you’re not quite that bold? There are several different methods of approach you can use to contact people who hold the keys to music production jobs.

- Mail is the most traditional method. Once you’ve researched enough to know what companies you want to work for, and who makes hiring decisions there, you can mail a resume along with an excellent cover letter. Chances are though, that you’ll have to follow up on your initial mail. Remember point #1 above – music production companies get loads of over the transom resumes.

- Email is a second option, and is a reasonable way to follow up as well. If you’ve sent your resume by mail, wait a few days and then follow up with an email to the hiring manager stating that you’re following up on your mailed resume and are very interested in discussing possible career options within his or her company. If you haven’t, send a cover letter and resume via email, and follow up in a few days with a second email.

- Telephone calls may be scary, but they are one of the quickest ways to get through to the person you want to speak with. Keep in mind that your phone call is an interruption to the hiring manager’s day – be pleasant, be brief and be direct.

The secret to finding and getting music production jobs is being bold enough to get yourself out there and sell your skills and abilities. With only 10% of the available jobs ever being offered openly in the classifieds, it’s the only way that you’ll ever know what music production jobs are available.

Rita Henry is a contributing editor for Jobs In Music, the leading job and resource site for the Music Industry. Interested in receiving only the hottest Music job listings weekly for free? To learn more visit Jobs In Music.

The Art of Recording: The Creative Resources of Music Production and Audio

June 18, 2010 in Local Music by stagemaster

The Art of Recording: The Creative Resources of Music Production and Audio

Creative Music Production: Joe Meek’s Bold Techniques

April 1, 2010 in Local Music by stagemaster

Product Description
Legendary British producer and technical innovator Meek–the man behind the hits “Telstar” and “Have I the Right?”–has become a cult figure since his death in 1967, with fan clubs, CD collections, and retrospectives growing in popularity every day. Although much attention has been paid to his unusual life story and tragic passing, “Creative Music Production: Joe Meek’s Bold Techniques” is the first book that gives the details on the methods that led to Meek’s influ… More >>

Creative Music Production: Joe Meek’s Bold Techniques

Creative Sequencing Techniques for Music Production: A practical guide to Logic, Digital Performer, Cubase and Pro Tools

March 18, 2010 in Local Music by stagemaster

  • ISBN13: 9780240519609
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Product Description
An inspirational guide for all levels of expertise, Creative Sequencing Techniques for Music Production shows you how to get the most out of the four leading audio
sequencers.

Using real-life examples, Andrea Pejrolo demonstrates a wide range of technical and creative techniques, giving you tips and new ideas to help you take your work to the next level. Creative Sequencing Techniques covers sequencing from the basics, through intermediate to an advanced… More >>

Creative Sequencing Techniques for Music Production: A practical guide to Logic, Digital Performer, Cubase and Pro Tools

Self-sufficiency and the DIY Artist: Managing creative activities within local music scenes by adopting new technologies

March 7, 2010 in Local Music by stagemaster

Product Description
The overall aim of this book is to aid the DIY artist to move towards self-sufficiency through the use of new technologies, which is achieved by defining DIY music culture, identifying the creative and business needs of the DIY artist as well as establishing a model for DIY artists to be self-sufficient. The methodology consists of a mixture of unstructured interviews, including email, telephone and face-to-face. Fifteen DIY artists were interviewed from… More >>

Self-sufficiency and the DIY Artist: Managing creative activities within local music scenes by adopting new technologies